Goodreads summary: “Miles “Pudge” Halter’s whole existence has
been one big nonevent, and his obsession with famous last words has only
made him crave the “Great Perhaps” (François Rabelais, poet) even more.
Then he heads off to the sometimes crazy, possibly unstable, and
anything-but-boring world of Culver Creek Boarding School, and his life
becomes the opposite of safe. Because down the hall is Alaska Young. The
gorgeous, clever, funny, sexy, self-destructive, screwed-up, and
utterly fascinating Alaska Young, who is an event unto herself. She
pulls Pudge into her world, launches him into the Great Perhaps, and
steals his heart.”
Looking for Alaska predates Paper Towns, which I read first. I mention this because in my review of Paper Towns, I suggested that John Green had successfully navigated the familiar waters of the Manic Pixie Dream Girl trope by at first buying into it, then subverting it. He tried something very similar here, but I don’t think he was as successful. The two books are very, very similar, but Paper Towns seems to be a slightly more mature version of Looking for Alaska; both feature self-proclaimed ‘average guy’ protagonists whose worlds are upended by an extraordinary girl, but while by the end of her book Alaska Young remains more of an iconoclastic symbol than a real person, Margo Roth Spiegelman in Paper Towns explicitly rejects the idealized version of herself the protagonist believes she is.
This was, still, a book I enjoyed, and even though all of the characters sound in one way or another like they have a healthy measure of John Green in them (by which I mean, it’s like in movies where an actor might be doing a really great job, but s/he is so famous that you never quite forget it’s that actor. That’s kind of what a lot of John Green’s characters are like), they were all still people I wouldn’t have minded having as friends in high school. His prose is very lyrical and he has the ability to describe feelings in a very acute, descriptive, and yet poetic way. More than once I stopped and thought to myself, regarding something I would have previously thought indescribable, “Yes, that is exactly what that feels like.” That ability is probably his greatest asset as an author, especially given the specific realm that he chooses to inhabit in his novels, which I would title “teenage romance and self discovery in peculiar circumstances.” Anyway, you probably don’t strictly need to read this if you’ve already read Paper Towns, but this is an enjoyable few hours.
3.5 stars
Looking for Alaska predates Paper Towns, which I read first. I mention this because in my review of Paper Towns, I suggested that John Green had successfully navigated the familiar waters of the Manic Pixie Dream Girl trope by at first buying into it, then subverting it. He tried something very similar here, but I don’t think he was as successful. The two books are very, very similar, but Paper Towns seems to be a slightly more mature version of Looking for Alaska; both feature self-proclaimed ‘average guy’ protagonists whose worlds are upended by an extraordinary girl, but while by the end of her book Alaska Young remains more of an iconoclastic symbol than a real person, Margo Roth Spiegelman in Paper Towns explicitly rejects the idealized version of herself the protagonist believes she is.
This was, still, a book I enjoyed, and even though all of the characters sound in one way or another like they have a healthy measure of John Green in them (by which I mean, it’s like in movies where an actor might be doing a really great job, but s/he is so famous that you never quite forget it’s that actor. That’s kind of what a lot of John Green’s characters are like), they were all still people I wouldn’t have minded having as friends in high school. His prose is very lyrical and he has the ability to describe feelings in a very acute, descriptive, and yet poetic way. More than once I stopped and thought to myself, regarding something I would have previously thought indescribable, “Yes, that is exactly what that feels like.” That ability is probably his greatest asset as an author, especially given the specific realm that he chooses to inhabit in his novels, which I would title “teenage romance and self discovery in peculiar circumstances.” Anyway, you probably don’t strictly need to read this if you’ve already read Paper Towns, but this is an enjoyable few hours.
3.5 stars
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